"Ocean" oil painting
"Road to Wonderland"
Seas of green,
waving in the wind.
Blown away, all seen;
the sun mostly thinned.
Winding trails,
lead to wilderness.
Beneath that veil,
before the kiss, it's tenseness.
Contracting irises focus on the untold,
glistening like jewels, just untouchable.
Impossible to behold,
the process is cruel.
Investigating honesty,
only revealed dreams conflict with reality.
Ruthless world we made was bought cheaply,
staring at silvery reflections briefly.
Returns to the open sky,
free, yet unable to move.
No reply,
to burning questions due for disprove.
Just in case your head is humming,
I'll lead you to the stairway that's calming.
I thought from now on, I'll start writing a new poem for each blog. Each poem will relate to class discussions in some form, and "Road to Wonderland" incorporates the existential them of "we are free but responsible." The clearest incorporation of this theme is the "free, yet unable to move" line. Kathy, the narrator in Never Let Me Go, dealt with this theme every day of her life. Kathy was free to live her own life, to drive around aimlessly, yet she could not stop the impending doom of her donations. The "completion" discussed by all the clones was essentially the day they died from donating their vital organs. None of the clones were free from this fate. Furthermore, they were free to fantasize about being "deferred" or excused from donations by volunteering to participate in social experiments, but this dream never came true for anyone. Even the lucky clones, who were raised in Hailsham, had no hope of becoming normal. My painting shows a mermaid swimming towards the surface of the sea, symbolic of her yearning to be human, and to reach the land. Kathy and the clones also yearn to be human, yet their purposes in life do not allow them to become human in any way.